In January of 1990, I was working as a daily reporter for the St. Augustine Record. I had been making a living as a journalist for a couple of years at even smaller newspapers in Florida, but I viewed the Record as a significant step up the ladder for me. Its circulation was still modest, at about 16,000, and the pay was dismal, but the paper had a reputation for integrity and objectivity. Besides that, St. Augustine was the sort of town that pulled you in: despite unchecked real estate development outside the town limits and a roaring tourist trade, it retained a laid-back Old-Florida vibe. At lunchtime, I could walk down to the Pharmacy on St. George Street, hobnob with two-bit attorneys and town councilmen, wolf down a greasy cheeseburger, and be back at the office in time to file my stories for the next day’s deadline. Then it was straight down to the Mill Top or Scarlett O’Hara’s or the Trade Winds for a beer or two to wash away the day’s dust.
On the morning of the third Monday that month, my editor, Steve Cotter, said to me: “Trippe. Assignment for you. Run down to the town plaza around one o’clock this afternoon. And take a camera with you, ‘cause I think Studwell is tied up already. There’s supposed to be some kind of memorial down there for Martin Luther King Day.”
The paper had given me the use of an old Pentax that I loved ardently. Our staff photographers (all two of them) were excellent, but I often had to take photos for my own stories, and that Pentax had become my traveling companion, reliable, with manual functions, although it was dented up, and the external flash stood at a crooked angle like the Tower of Pisa. But the images it produced were consistently good, and I surprised myself at times with the quality of my own pictures. “Damn, Trippe,” Studwell would say. “Not too shabby.”
Of course, at that time, very little that I did - professionally at least - was planned, and everything that just happened to turn out well for me seemed simply another stroke of good fortune. Nevertheless, looking back now, I see that what I considered pure dumb luck, especially for someone who had no real training in journalism (my degrees were in English and creative writing), I actually owed to a certain man. His name was Pete Osborne, and although I didn’t know it at the time, he was a significant mentor in my writing life.
Pete’s title at the Record was ‘Senior Reporter.’ He was 56, and not too terribly long before I arrived there, he had been the newsroom editor. Over the lunch table, he was a raconteur of the first calibre, and most of his stories were so disarming as to be true. For instance, he made a strong case that as a cub reporter at the Mount Dora paper, he had broken the Cuban Missile Crisis story. As he told it, he was looking out the window one morning and noticed dozens of military trucks passing by on Highway 441, and simply called the Florida National Guard to ask what was going on. He also claimed to have been the first news reporter in the state to ask for copies of 911 tapes under the Sunshine Law: one night in the fall of 1988, a young girl at the Florida School for the Deaf and Blind became disoriented in the school’s showers, and she was scalded to death. The tapes Pete requisitioned showed that the ambulance that was dispatched to the scene that night was inadvertently re-routed, and the girl died in those crucial lost minutes.
When he told me that story, I could read the pain in his eyes. He was relentless on the job, but his savvy was tempered by compassion.
He was also an alcoholic. That was why he had been demoted from news editor to reporter. Apparently, the day after he had spent the night in the St. Johns County jail for driving under the influence, he managed to arrive at work on time, only to find himself in the uneasy situation of having to write the news story about his own arrest. It was a crisp, six-column-inch piece of reporting, and it appeared in that afternoon’s edition.
When I met him, though, Pete had been sober for about ten years. And as a sober man, there was no one more trustworthy or well-meaning. His intelligence and his memory for detail were as keen as a well-whetted band saw, and his professional advice, which never actually sounded like advice, was offered in such an offhand way that it all seemed just a matter of common sense. Nearly all that he said came with a sly smile beneath his thick grey mustache, and that sort of humor that assumes you are in on every joke.
There is much more to tell about Pete, and I hope to tell it all eventually, but suffice it to say for now that on the third Monday in January, 1990, he had a few words for me as I passed his desk on my way out of the newsroom to cover the Martin Luther King Jr. commemoration ceremony at the town plaza. He was just hanging up his phone, and he swiveled about in his chair to face me.
“Hey there, kid, hang on just a sec before you roll out. Do you happen to know what’s up on the third floor of the building we are in at the present moment?”
“Of course I do, Pete. The archives.”
“Correct. You continue to exhibit potential. I’m only asking because I thought that if you’re going to cover the MLK event, you might want to wander upstairs as soon as you return, before you write your story. Far be it from me to tell you what to do, but I assume you’d like an interesting angle on this.”
“Always.”
“Okay, well then, I suggest you look in the photo file cabinet marked June of 1964. To be more exact, you’re looking for June 5th to roughly June 20th, I believe. You’ll find some pretty interesting things in there.”
“Can you give me a hint at least?” I said. “I was only six in 1964.”
“Well, for one thing, there was a piece of legislation called the Civil Rights Act, but I’m referring in particular to the events of that summer in St. Augustine. Dr. King was in town then with a number of his followers, protesting segregation. In fact, he was arrested here. Big doings up at the Monson Motor Lodge. You’ll see Jimmy Brock’s name in those files, too, I think.”
Pete had introduced me to James ‘Jimmy’ Brock, the owner of the Monson Motor Lodge, at a chamber of commerce soiree some months earlier. He was in his mid-sixties at the time, and he had that wide smile and southern affability that said, “Welcome! I don’t know who the hell you are, but welcome!” As Pete affirmed afterwards, most everyone in town regarded Jimmy Brock as ‘a great guy,’ and I had no reason to believe otherwise.
He went on: “You’ll find lots of photos up there from Dr. King’s visit. Just a little background info for you, that’s all. Use it as you see fit. But remember - a newspaper is a historical document…” Now his forehead became wrinkled in thought. “You know, the more I hear myself talk about this, the better this gets. This could be a dern good story for, you know. Juxtapose your photos with some of those from ’64. Yeah. If I were you, I’d make sure I get up to the archives.”
“Thanks, Pete, I’ll try and make time for that. I’m under deadline, you know.”
“Yep. Every minute of every day.”
And then I swept out the door, a young reporter in a hurry, my Pentax swinging from my shoulder and my notepad in hand.
As it turned out, the commemoration ceremony, which was held, ironically enough, near the old slave market that fronted Matanzas Bay, was rather low-key. About two dozen people, white and black folks of varying ages, listened to an impassioned but barely audible speech delivered through a whistling p.a. system by a professor from a local private college. Everyone clapped politely, nodded, smiled, and then went about their business. After all, it was wintertime, and even in St. Augustine, when the saltwater-laced wind whipped over the railings along the waterfront, a damp chill would press into one’s bones.
I did see a familiar face, however. Moses Floyd, whom I had interviewed the preceding September for a story about his collection and transportation of food and other supplies for South Carolinians affected by Hurricane Hugo, was striding intently across the plaza, head down, when I sidled up next to him.
“Hey, Moses.”
He looked up and smiled. He was only a few years older than I was, but he was well into his career as a teacher and coach at the local high school. “Oh, hey there, Jeff,” he said.
“So, what’d you think of the speech?”
He shook his head. “She meant well. Kinda hard to hear, though.”
“I agree. Disappointing. I was able to catch a couple of sentences that I guess I can use in my story. Got a couple of decent pics of the speaker, too, I think.”
“At least she was standing still for you. You know, Florida only started recognizing MLK Day as a national holiday the year before last. And for all the big talk you hear sometimes, we’re still kinda backward around here, I guess. Old Jim Crow ain’t all that far behind us.”
“Well, I wasn’t going to mention it.”
“You’re a good fella. I got to make haste. Doing some painting up at the church. You take care, now.” He turned to head toward King Street but then stopped abruptly and turned.
“Hey, Jeff, you’re not going to quote me, are you? That stuff about Jim Crow?”
“I wasn’t planning to.”
“Hm. Well, if you do, you can just refer to me as an unidentified negro.” He gave his big, toothy laugh and then went on his way.
As it happened, I returned to the Record’s offices with ample time to spare, and as Pete had suggested, after I stowed the Pentax and my notes, I climbed the narrow, sagging steps up to the top floor. Mind you, this was when the paper’s offices were in their former quarters on Cordova Street, just a couple of blocks from the old courthouse, and the building itself seemed to quake and quaver in a strong wind, and the smell of ink and paper from the presses down below permeated the workaday life and stuck to your clothing like stale sweat. I prowled deep into the grey metal file cabinets lined up like rickety headstones until I found the one containing local photographs published in1964.
Most of the pictures themselves, tinged by time to a watery sienna, slept their eternal sleep quietly in their bulging folders, and the faces of the deceased, surprised to be awakened thus, gazed up at me: action shots from American Legion baseball games, sour faces at county commissioners meetings, a woman in a bikini walking a poodle in the Spanish Quarter…and then at last, my index finger found it: June, 1964.
But the folder was utterly empty.
“There’s nothing in there,” I said, as Pete swiveled around in his chair.
“In the archives?”
“In the folder for June, 1964. Nothing. Nada. Not a single photo. Everything else is there, every other month, but nothing for June.”
He leaned forward, put his chunky elbows on his knees, and looked down at the coffee-stained carpet. I noticed that the swoop of gray hair on top of his head had shifted to expose a bald spot. After a few moments, he said, “Let’s just think about this for a minute.”
We thought.
“You looked in the bottom of the drawer? They hadn’t fallen out? You’re sure?”
“Clean as a whistle. Empty as a grave on Judgment Day.”
More thinking. Finally, Pete stood up, put his hands on his hips, and then thrust them into his pockets. “All I can figure, then, is that somebody took them. The question is…who? And why?”
“Who was the photographer back then? Maybe we can get in touch with him. He might know something about it. Or maybe he kept them for posterity, or else he realized they could be valuable someday.”
“I doubt it. News photographers usually can’t think that far ahead. Anyway, I have no idea who took those pictures, and neither will anybody else around here. It’s too long ago, now. For all we know, he could be dead.”
“You’re sure they were in there? June of ’64?”
“Absolutely. I’ve seen ‘em. Ran across ‘em a few years back when I was researching some piece of crap story about some St. Augustine High School alum opening a golf course, or some such crap.”
“Weird,” I said. “It’s almost like it never happened at all.”
At this, Pete looked at me closely, mouth slightly open, eyes narrowed, as if he were trying to figure something out about me, or perhaps had just noticed something in my appearance that he hadn’t quite caught before. Then he gave a raspy cough and said, “I’m going outside for a ciggie. You’d best get on that story. Just go with what you have.”
What I had was not much. It sucked, to be truthful. As I recall, it ended up on page two of the local news section (no photo) instead of on the front page, above the fold, as I had anticipated it would when Steve Cotter had approached me that morning. Nevertheless, I shrugged it off, and when that afternoon’s paper went out, my story was widely overlooked, no doubt, merely another unread chronicle destined for deep sleep in the archives. Oh, a few people - aside from the handful that had actually attended the “event” - might have glanced at it and muttered something like “Well, isn’t that good to know? Says right here: ‘Martin Luther King Jr.: Not Forgotten.’”
__________
In the world of newspapers, there is always the next day. The story the reporter wrote and filed today is no longer of concern to him. Like dust across a creaky wooden floor, it is swept away, and it is tomorrow’s story that really matters. Seldom does he pause to heed Pete Osborne’s simple observation: a newspaper is a historical document.
It took me years, long after I had left journalism to become an English teacher, to piece together what had actually taken place in St. Augustine in June of 1964. The events of those few weeks may seem a redundancy in our country, sadly, a tale of suffering, violence, and immutable courage. They are well-documented and easily accessible to anyone who can use a search engine on the internet today, but even now, although they proved to be an integral part of the Civil Rights Movement, I don’t believe they are widely known or discussed.
Dr. King arrived in St. Augustine around June 5th, at the behest of Robert Hayling (the first black dentist admitted to the American Dental Association, by the way). Hayling had become deeply involved in protests against segregation in the Ancient City and had founded a chapter there of the NAACP Youth Council in 1963. Hayling and members of his chapter met brutal resistance from the local Ku Klux Klan when they attempted to use whites-only swimming pools and other public facilities. Tensions rose significantly when African-American youths staged a sit-in at the Woolworth’s lunch counter, where a number of them were arrested. Hayling promised that he and his followers would defend themselves against attacks by the Klan, with firearms, if necessary. Conflicts continued through the spring of ’64 at beaches on nearby Anastasia Island.
Enter MLK, Jr. Accompanied by Dr. Ralph Abernathy, Andrew Young, and other friends and associates (including white supporters), he worked closely with demonstrators to draw attention to the injustices of segregation in St. Augustine. King himself went to the Monson Motor Lodge and attempted to dine at the hotel’s restaurant. He found himself in a face-to-face confrontation on the front steps with the owner - one James ‘Jimmy’ Brock. Dr. King was arrested.
That was on June 11th. On June 18th, several demonstrators jumped into the swimming pool at the Monson. In a response that would bring him a degree of infamy, Brock poured what he claimed was muriatic acid into the water. Although that substance, commonly used in pool maintenance, is not especially life-threatening, it can cause severe burns to the skin. A few minutes later, in a curious act of what he no doubt believed was devotion to duty, a policeman jumped into the water and arrested members of the group. If the eyes of the nation were not already upon St. Augustine before that moment, Jimmy Brock’s actions ensured that they would be.
Shortly thereafter, the governor of Florida at the time, Farris Bryant, himself a segregationist, did what bureaucrats often do when faced with a crisis: he formed a committee to look into things. In the meantime, King had left for Washington DC to witness Lyndon Johnson’s signing of the Civil Rights Act on July 1st.
Although the Record’s own pictures of those events vanished mysteriously, there are in existence numerous photos from those tempestuous days, most of them taken by the renowned Associated Press photographer Horace Cort. They are still startling in their black-and-white starkness, with their difficult truths that we may wish would go away, but which must not.
I am guilty, too, in that I did not know my own history. I grew up in Jacksonville, half an hour up the road from St. Augustine, and yet even as a would-be chronicler of life in that particular place, I knew nothing of the town’s role in the story of Civil Rights. It’s no excuse, but the bloated tourist and real-estate industries along the east coast of Florida do not exactly use the legacy of racism as selling points in their brochures. Such are the sins of our past; we choose to turn away from them, bury them, “put them in context” and rationalize that they had nothing to do with us. Still, I was ashamed of my ignorance of the sufferings and heroism of others, and I still am. It makes me wonder what else I may have missed.
My friend Pete Osborne could have told me, no doubt, but alas, he died of pancreatic cancer in December of 1991.
The Monson Motor Lodge was torn down in 2003. James Brock died in 2007.
Photo by Horace Cort
Photo by Horace Cort